Although Motörhead is routinely considered one of the greatest rock bands of all time by artists and publications alike, it seems that several aspects of the band remain criminally unappreciated. Simply put, everyone always says that Motörhead rocks, which is true, but they do so much more than that.
Founded by Lemmy Kilmister after he was kicked out of Hawkwind for using too many drugs, Motörhead developed a new type of sound that was equally appreciative of the golden age of 50's rock and was also uncompromisingly aggressive in the genius simplicity of a three chord chugging attack. Needless to say, countless punk and metal bands have used Motörhead's blueprint as the skeleton for their own music. Yet despite having an incalculably widespread influence, Motörhead's lyrical precision seems to be ignored, perhaps, because the music just slams so hard. In Motörhead, Kilmister has addressed nuanced topics from the power of religion, to the corruption of politicians, to child sexual abuse, to breaking through the "Friend zone," yet in conversations, the band's sound often seems to take precedence over the band's contemplative musings.
Undeterred as always, the band has recently released a live album titled The World Is Ours and is set to join the Mayhem Tour in June, where they'll tour with Slayer, Anthrax, and High on Fire. In order to get Lemmy's feelings on the band's lyrical content, staff writer John Gentile recently sidled up to the bar next to the legendary rocker to talk about the band's metaphysical philosophy, gender dynamics, and what exactly an "Orgasmatron" is.